Kenopsia Project: a sonic and visual journey into abandonment

Authors

DOI:

https://doi.org/10.51896/easc.v1i2.339

Keywords:

electronic music, abandoned places, alternative culture, artificial intelligence, digital art

Abstract

Kenopsia Project is an artistic initiative that melds electronic music with abandoned spaces, challenging the conventional norms of both music and culture. This study delves into its artistic innovation, emotional resonance, and influence on contemporary culture. A comprehensive literature review of Kenopsia Project was conducted, utilizing academic sources and online materials. Data regarding performances and digital dissemination platforms employed by the project were collected. Additionally, audience reviews and feedback were examined to assess the emotional interaction elicited by the performances. This project distinguishes itself through artistic innovation by harmonizing electronic music with the ambiance of abandoned places, tailoring each performance to the specific location. Moreover, the project has evoked profound emotional responses in the audience, eliciting the sense of kenopsia and prompting contemplation on the impermanence of life and the beauty within decay. Kenopsia Project's impact on contemporary culture is evident in its defiance of conventionality, creating authentic cultural experiences. Its digital presence has extended its global reach, inspiring fellow artists to explore novel forms of artistic expression. Collectively, this study underscores the enduring relevance and profound impact of Kenopsia Project on electronic music and contemporary culture, emphasizing its ability to transform and deeply move its audience.

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References

Augé, M. (2003). El tiempo en ruinas. Gedisa.

Gallo, G. M. (2016). Libertades coreografiadas: palabras habladas, comunicaciones corporales y códigos en pistas dance de la ciudad de Buenos Aires. Estudios Sociológicos de El Colegio De México, 34(100), 41-64. https://doi.org/10.24201/es.2016v34n100.1387

Kenopsia Project. (2023a). Kenopsia Project [YouTube Channel]. https://www.youtube.com/c/KenopsiaProject

Kenopsia Project. (2023b). Kenopsia Project [Instagram profile]. https://www.instagram.com/kenopsia_project/

Kenopsia Project. (2023c). Kenopsia Project [Facebook profile]. https://www.facebook.com/kenopsiaprojectofficial

Koenig, J. (2021). The Dictionary of Obscure Sorrows. Simon & Schuster.

O'Grady, A. (2015). Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Dancecult, 7(1), pp. 76-96. Doi: 10.12801/1947-5403.2015.07.01.04

Published

2023-11-29 — Updated on 2023-12-01

Versions

How to Cite

Canca Villar, A., Zarauza Cabrerizo, M., & Saiz López, J. L. (2023). Kenopsia Project: a sonic and visual journey into abandonment . Revista Internacional De Educación Y Análisis Social Crítico Mañé, Ferrer & Swartz, 1(2), 177–206. https://doi.org/10.51896/easc.v1i2.339 (Original work published November 29, 2023)

Issue

Section

Ensayos